{"id":2913,"date":"2026-04-21T20:17:26","date_gmt":"2026-04-21T18:17:26","guid":{"rendered":"https:\/\/infoshqip.al\/?p=2913"},"modified":"2026-04-21T20:17:27","modified_gmt":"2026-04-21T18:17:27","slug":"ku-jane-femcel-ne-kinema-boshlleku-i-erret-i-kultures-online-femerore","status":"publish","type":"post","link":"https:\/\/infoshqip.al\/?p=2913","title":{"rendered":"Ku jan\u00eb \u201cfemcel\u201d n\u00eb kinema? Boshll\u00ebku i err\u00ebt i kultur\u00ebs online fem\u00ebrore"},"content":{"rendered":"<div><p><img loading=\"lazy\" width=\"1086\" height=\"701\" src=\"https:\/\/ class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"https:\/\/ 1086w, https:\/\/ 465w, https:\/\/ 930w, https:\/\/ 768w, https:\/\/ 184w\" sizes=\"auto, (max-width: 1086px) 100vw, 1086px\"><\/p>\n<p><strong>N\u00eb ekranet e m\u00ebdha dhe t\u00eb vogla, kultura \u201cincel\u201d mashkullore \u00ebsht\u00eb trajtuar gjer\u00ebsisht, nga seriale si Adolescence dhe dokumentari Louis Theroux: Inside the Manosphere, deri te filma si Joker apo Don\u2019t Worry Darling, q\u00eb eksplorojn\u00eb forma t\u00eb ndryshme t\u00eb radikalizimit mashkullor.<\/strong><\/p>\n \n<p>Por, nd\u00ebrsa k\u00ebto rr\u00ebfime jan\u00eb b\u00ebr\u00eb t\u00eb zakonshme, nj\u00eb boshll\u00ebk i duksh\u00ebm mbetet: p\u00ebrfaq\u00ebsimi i radikalizimit fem\u00ebror n\u00eb internet, shpesh i lidhur me at\u00eb q\u00eb quhet \u201cwomanosphere\u201d ose kultura \u201cfemcel\u201d.<\/p>\n \n<p>N\u00eb epok\u00ebn e rrjeteve sociale, ku p\u00ebrfshihen edhe trendet si \u201ctradwife culture\u201d apo kalimi nga mir\u00ebqenia (wellness) drejt ideologjive t\u00eb ekstremit t\u00eb djatht\u00eb, roli i grave n\u00eb k\u00ebto hap\u00ebsira online \u00ebsht\u00eb real dhe n\u00eb rritje. Megjithat\u00eb, kinemaja ka treguar pak interes p\u00ebr k\u00ebt\u00eb fenomen, duke e l\u00ebn\u00eb figur\u00ebn e \u201cfemcel\u201d-it thuajse t\u00eb padukshme.<\/p>\n \n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/ alt=\"\" class=\"wp-image-3080841\"><\/figure>\n \n<p>Shumica e filmave q\u00eb prekin k\u00ebt\u00eb tem\u00eb e b\u00ebjn\u00eb n\u00eb m\u00ebnyr\u00eb sip\u00ebrfaq\u00ebsore, duke u fokusuar te obsesioni me imazhin dhe jet\u00ebn \u201cperfekte\u201d n\u00eb Instagram, si n\u00eb Ingrid Goes West apo Not Okay. Megjithat\u00eb, disa vepra m\u00eb t\u00eb guximshme kan\u00eb tentuar t\u00eb hyjn\u00eb m\u00eb thell\u00eb n\u00eb k\u00ebt\u00eb bot\u00eb, si Red Rooms, Do Not Expect Too Much from the End of the World dhe The Drama i Kristoffer Borgli.<\/p>\n \n<p>N\u00eb \u201cThe Drama\u201d, p\u00ebr shembull, nj\u00eb \u00e7ift i ri p\u00ebrballet me nj\u00eb t\u00eb kaluar trondit\u00ebse kur del n\u00eb pah se gruaja, Emma, ka planifikuar n\u00eb adoleshenc\u00eb nj\u00eb akt dhune ekstreme. Filmi ngre pyetje t\u00eb v\u00ebshtira mbi m\u00ebnyr\u00ebn si shoq\u00ebria reagon ndaj grave q\u00eb kan\u00eb kaluar rrug\u00eb t\u00eb err\u00ebta, shpesh me m\u00eb pak empati sesa ndaj burrave n\u00eb situata t\u00eb ngjashme.<\/p>\n \n<p>Nd\u00ebrkoh\u00eb, n\u00eb \u201cRed Rooms\u201d, personazhi Kelly-Anne p\u00ebrfaq\u00ebson nj\u00eb form\u00eb tjet\u00ebr izolimi dhe radikalizimi online, ku obsesioni me krimin e v\u00ebrtet\u00eb dhe internetin z\u00ebvend\u00ebson kontaktin me realitetin. Ajo jeton pothuajse t\u00ebr\u00ebsisht n\u00eb hap\u00ebsir\u00ebn digjitale, duke e humbur lidhjen me normat shoq\u00ebrore.<\/p>\n \n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/ alt=\"\" class=\"wp-image-3080842\"><\/figure>\n \n<p>N\u00eb Do Not Expect Too Much from the End of the World, personazhi Angela paraqet nj\u00eb tjet\u00ebr form\u00eb t\u00eb k\u00ebsaj kulture: nj\u00eb jetes\u00eb e ndar\u00eb mes pun\u00ebs s\u00eb zakonshme dhe nj\u00eb identiteti online t\u00eb nd\u00ebrtuar mbi provokim dhe ironizim ekstrem, duke reflektuar ndikimin e ekonomis\u00eb s\u00eb v\u00ebmendjes dhe influencuesve.<\/p>\n \n<p>Pavar\u00ebsisht k\u00ebtyre shembujve, p\u00ebrfaq\u00ebsimi i \u201cfemcel\u201d-\u00ebve n\u00eb kinema mbetet i rrall\u00eb. Kjo munges\u00eb ngre nj\u00eb pyetje t\u00eb r\u00ebnd\u00ebsishme: pse media ka qen\u00eb m\u00eb e shpejt\u00eb t\u00eb eksploroj\u00eb radikalizimin online t\u00eb burrave sesa at\u00eb t\u00eb grave?<\/p>\n \n<p>Disa studiues argumentojn\u00eb se kjo lidhet me stereotipet e rr\u00ebnjosura mbi grat\u00eb si m\u00eb \u201ckujdes\u00ebse\u201d dhe m\u00eb pak t\u00eb prirura drejt ekstremizmit. Por realiteti online tregon nj\u00eb panoram\u00eb m\u00eb komplekse, ku grat\u00eb gjithashtu marrin pjes\u00eb aktive n\u00eb hap\u00ebsira ideologjike t\u00eb polarizuara, shpesh duke ndihmuar n\u00eb zbutjen e imazhit t\u00eb l\u00ebvizjeve radikale.<\/p>\n \n<p>Personazhet si Emma, Kelly-Anne dhe Angela, megjith\u00ebse t\u00eb ndryshme, ndajn\u00eb nj\u00eb karakteristik\u00eb t\u00eb p\u00ebrbashk\u00ebt: jetojn\u00eb m\u00eb shum\u00eb n\u00eb bot\u00ebn digjitale sesa n\u00eb at\u00eb reale, duke reflektuar m\u00ebnyr\u00ebn se si algoritmet dhe kultura e rrjeteve sociale form\u00ebsojn\u00eb identitetin.<\/p>\n \n<p>Megjithat\u00eb, kinemaja ende i trajton k\u00ebto figura si p\u00ebrjashtime, jo si pjes\u00eb t\u00eb nj\u00eb fenomeni m\u00eb t\u00eb gjer\u00eb. Dhe nd\u00ebrsa bota online vazhdon t\u00eb ndryshoj\u00eb, mungesa e nj\u00eb reflektimi m\u00eb t\u00eb thell\u00eb mbi k\u00ebt\u00eb realitet mbetet nj\u00eb boshll\u00ebk i duksh\u00ebm n\u00eb ekran. \/GazetaExpress\/<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-2913","post","type-post","status-publish","format-standard","hentry","category-lajme"],"_links":{"self":[{"href":"https:\/\/infoshqip.al\/index.php?rest_route=\/wp\/v2\/posts\/2913","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/infoshqip.al\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/infoshqip.al\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/infoshqip.al\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/infoshqip.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2913"}],"version-history":[{"count":2,"href":"https:\/\/infoshqip.al\/index.php?rest_route=\/wp\/v2\/posts\/2913\/revisions"}],"predecessor-version":[{"id":2915,"href":"https:\/\/infoshqip.al\/index.php?rest_route=\/wp\/v2\/posts\/2913\/revisions\/2915"}],"wp:attachment":[{"href":"https:\/\/infoshqip.al\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2913"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/infoshqip.al\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2913"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/infoshqip.al\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2913"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}