{"id":3667,"date":"2026-04-22T20:26:58","date_gmt":"2026-04-22T18:26:58","guid":{"rendered":"https:\/\/infoshqip.al\/?p=3667"},"modified":"2026-04-22T20:26:58","modified_gmt":"2026-04-22T18:26:58","slug":"the-rise-of-arturo-ui-mark-gatiss-i-frikshem-ne-satiren-politike-te-brecht-it","status":"publish","type":"post","link":"https:\/\/infoshqip.al\/the-rise-of-arturo-ui-mark-gatiss-i-frikshem-ne-satiren-politike-te-brecht-it\/","title":{"rendered":"The Rise of Arturo Ui\u201d: Mark Gatiss i friksh\u00ebm n\u00eb satir\u00ebn politike t\u00eb Brecht-it"},"content":{"rendered":"

\"Mark\"<\/p>\n

Mark Gatiss sjell nj\u00eb interpretim t\u00eb fuqish\u00ebm dhe shqet\u00ebsues n\u00eb rolin e Arturo Ui-t, n\u00eb produksionin e Royal Shakespeare Company me regji t\u00eb Se\u00e1n Linnen, nj\u00eb vep\u00ebr q\u00eb nd\u00ebrthur groteskun komik me paralelen historike t\u00eb ngritjes s\u00eb fashizmit.<\/strong><\/p>\n\n\n\n

Shfaqja e Bertolt Brecht-it, nj\u00eb parabol\u00eb satirike p\u00ebr ardhjen n\u00eb pushtet t\u00eb Hitlerit, vendoset n\u00eb nj\u00eb bot\u00eb kriminale ku gangster\u00ebt e \u00c7ikagos p\u00ebrfaq\u00ebsojn\u00eb figurat kryesore t\u00eb regjimit nazist. N\u00eb k\u00ebt\u00eb version, Gatiss shfaqet fillimisht si nj\u00eb figur\u00eb thuajse tragjikomike \u2013 me pamje t\u00eb zbeht\u00eb, sy t\u00eb trishtuar dhe nj\u00eb stil t\u00eb p\u00ebrulur \u2013 p\u00ebr t\u00eb kaluar gradualisht n\u00eb nj\u00eb personazh gjithnj\u00eb e m\u00eb t\u00eb friksh\u00ebm, nd\u00ebrsa ngjit shkall\u00ebt e pushtetit kriminal.<\/p>\n\n\n\n

N\u00eb performanc\u00ebn e tij, ai nd\u00ebrthur elemente q\u00eb kujtojn\u00eb Hitlerin, Scrooge-in dhe figura bashk\u00ebkohore politike, duke krijuar nj\u00eb karakter t\u00eb paq\u00ebndruesh\u00ebm, por jasht\u00ebzakonisht efektiv n\u00eb sken\u00eb.<\/p>\n\n\n\n

Nj\u00eb bot\u00eb gangster\u00ebsh si pasqyr\u00eb e fashizmit<\/strong><\/p>\n\n\n\n

Teksti i Brecht-it, i p\u00ebrshtatur k\u00ebtu nga Stephen Sharkey, e vendos ngritjen e Ui-t paralel me konsolidimin e pushtetit nazist n\u00eb Gjermani. Personazhet gangster\u00eb p\u00ebrfaq\u00ebsojn\u00eb figura historike, nd\u00ebrsa historia e \u201ctregtis\u00eb s\u00eb lulelakr\u00ebs\u201d n\u00eb \u00c7ikago b\u00ebhet metafor\u00eb e manipulimit politik dhe dhun\u00ebs.<\/p>\n\n\n\n

N\u00eb k\u00ebt\u00eb univers, Christopher Godwin luan nj\u00eb figur\u00eb q\u00eb pasqyron dob\u00ebsin\u00eb e pushtetit t\u00eb vjet\u00ebr, nd\u00ebrsa aktor\u00ebt e tjer\u00eb nd\u00ebrtojn\u00eb nj\u00eb galeri personazhesh q\u00eb l\u00ebvizin mes komikes dhe k\u00ebrc\u00ebnimit.<\/p>\n\n\n\n

\"Mark<\/figure>\n\n\n\n

Mawaan Rizwan spikat n\u00eb rolin e tij energjik dhe t\u00eb \u00e7rregullt, nd\u00ebrsa Janie Dee sjell nj\u00eb performanc\u00eb t\u00eb ndjeshme dhe t\u00eb ekuilibruar n\u00eb role m\u00eb serioze. Kasti n\u00eb t\u00ebr\u00ebsi ruan nj\u00eb balanc\u00eb t\u00eb kujdesshme mes karikatur\u00ebs dhe tensionit dramatik.<\/p>\n\n\n\n

Regji spektakolare dhe atmosfer\u00eb cirku<\/strong><\/p>\n\n\n\n

Regjia e Se\u00e1n Linnen krijon nj\u00eb bot\u00eb teatrale t\u00eb ngjashme me nj\u00eb cirk t\u00eb err\u00ebt, ku estetika e tepruar dhe humori i zi sh\u00ebrbejn\u00eb p\u00ebr t\u00eb theksuar artific\u00ebn e pushtetit politik.<\/p>\n\n\n\n

Kostumet, skenografia dhe l\u00ebvizja skenike nd\u00ebrtojn\u00eb nj\u00eb transformim gradual t\u00eb personazheve: nga nj\u00eb grup kaotik gangster\u00ebsh n\u00eb nj\u00eb makineri t\u00eb disiplinuar fashiste.<\/p>\n\n\n\n

Muzika dhe dizajni zanor shtojn\u00eb intensitetin emocional, duke e kthyer dhun\u00ebn n\u00eb nj\u00eb p\u00ebrvoj\u00eb pothuajse t\u00ebrheq\u00ebse, por nj\u00ebkoh\u00ebsisht shqet\u00ebsuese. N\u00eb ve\u00e7anti, p\u00ebrdorimi i muzik\u00ebs rock dhe ritmeve energjike e rrit kontrastin mes arg\u00ebtimit dhe brutalitetit.<\/p>\n\n\n\n

Nj\u00eb paralele e pak\u00ebndsh\u00ebm me t\u00eb tashmen<\/strong><\/p>\n\n\n\n

Shfaqja nuk shmang krahasimet me politik\u00ebn moderne, por i trajton ato me m\u00eb shum\u00eb n\u00ebntekst sesa me deklarata t\u00eb drejtp\u00ebrdrejta. N\u00eb disa momente, Gatiss sugjeron lidhje me figurat bashk\u00ebkohore politike, duke shkaktuar reagime t\u00eb lehta n\u00eb publik, por pa e dominuar narrativ\u00ebn.<\/p>\n\n\n\n

N\u00eb fund, vepra e Brecht-it mbetet nj\u00eb paralajm\u00ebrim i qart\u00eb: mekanizmat e pushtetit dhe manipulimit nuk jan\u00eb thjesht histori e s\u00eb kaluar\u00ebs.<\/p>\n\n\n\n

Finalja e shfaqjes, me nj\u00eb ton t\u00eb ashp\u00ebr dhe t\u00eb drejtp\u00ebrdrejt\u00eb, e zhvesh plot\u00ebsisht ironin\u00eb dhe e l\u00eb publikun p\u00ebrball\u00eb nj\u00eb reflektimi t\u00eb zymt\u00eb mbi natyr\u00ebn e pushtetit dhe p\u00ebrs\u00ebritjes historike. \/GazetaExpress\/<\/p>\n

The post The Rise of Arturo Ui\u201d: Mark Gatiss i friksh\u00ebm n\u00eb satir\u00ebn politike t\u00eb Brecht-it<\/a> appeared first on Gazeta Express<\/a>.<\/p><\/div>","protected":false},"excerpt":{"rendered":"

Mark Gatiss sjell nj\u00eb interpretim t\u00eb fuqish\u00ebm dhe shqet\u00ebsues n\u00eb rolin e Arturo Ui-t, n\u00eb produksionin e Royal Shakespeare Company […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2],"tags":[],"class_list":["post-3667","post","type-post","status-publish","format-standard","hentry","category-lajme"],"_links":{"self":[{"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/posts\/3667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/comments?post=3667"}],"version-history":[{"count":0,"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/posts\/3667\/revisions"}],"wp:attachment":[{"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/media?parent=3667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/categories?post=3667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/tags?post=3667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}