{"id":3670,"date":"2026-04-22T20:32:32","date_gmt":"2026-04-22T18:32:32","guid":{"rendered":"https:\/\/infoshqip.al\/?p=3670"},"modified":"2026-04-22T20:32:32","modified_gmt":"2026-04-22T18:32:32","slug":"isaac-julien-kozmos-identitet-dhe-nje-film-qe-sfidon-kufijte-e-realitetit","status":"publish","type":"post","link":"https:\/\/infoshqip.al\/isaac-julien-kozmos-identitet-dhe-nje-film-qe-sfidon-kufijte-e-realitetit\/","title":{"rendered":"Isaac Julien: Kozmos, identitet dhe nj\u00eb film q\u00eb sfidon kufijt\u00eb e realitetit"},"content":{"rendered":"

\"Isaac\"<\/p>\n

N\u00eb nj\u00eb vep\u00ebr t\u00eb re video-arti, Isaac Julien sjell nj\u00eb eksperienc\u00eb vizuale t\u00eb mbingarkuar, poetike dhe q\u00ebllimisht t\u00eb ekzagjeruar, ku filozofia, shkenca dhe fantashkenca bashkohen n\u00eb nj\u00eb reflektim mbi lidhjet njer\u00ebzore dhe ndryshimin e vazhduesh\u00ebm.<\/strong><\/p>\n\n\n\n

Shfaqur n\u00eb ambientin historik t\u00eb \u201cCosmic House\u201d, nj\u00eb sht\u00ebpi e nd\u00ebrtuar sipas ideve postmoderniste t\u00eb Charles Jencks dhe Maggie Keswick, filmi vendoset mes nj\u00eb hap\u00ebsire q\u00eb vet\u00eb synon t\u00eb p\u00ebrfaq\u00ebsoj\u00eb rendin kozmik n\u00eb form\u00eb arkitekturore. N\u00eb k\u00ebt\u00eb kontekst, vepra e Julien-it duket si nj\u00eb shtresim i ri mbi nj\u00eb hap\u00ebsir\u00eb tashm\u00eb t\u00eb ngarkuar simbolikisht.<\/p>\n\n\n\n

Filmi 25-minut\u00ebsh, i shfaqur n\u00eb nj\u00eb ekran t\u00eb vet\u00ebm mes pasqyrave t\u00eb shumta, sjell aktoret Sheila Atim dhe Gwendoline Christie n\u00eb rolet e figurave pothuajse hyjnore t\u00eb nj\u00eb universi futurist. Ato l\u00ebvizin mes ambienteve t\u00eb ndryshme \u2014 nga nj\u00eb pallat i Rilindjes, n\u00eb nj\u00eb sht\u00ebpi moderne prej xhami, e deri te vet\u00eb \u201cCosmic House\u201d \u2014 nd\u00ebrsa diskutojn\u00eb p\u00ebr fundin e bot\u00ebs, koh\u00ebn dhe natyr\u00ebn e Zotit.<\/p>\n\n\n\n

N\u00eb k\u00ebt\u00eb rr\u00ebfim vizual shfaqen edhe krijesa hibride si \u201cyll deti kibernetik\u201d, anije kozmike dhe peizazhe t\u00eb mbushura me elemente biologjike dhe teknologjike, duke krijuar nj\u00eb bot\u00eb ku kufijt\u00eb mes natyr\u00ebs dhe teknologjis\u00eb zhduken gradualisht.<\/p>\n\n\n\n

Nj\u00eb film i nd\u00ebrtuar mbi ide dhe tekste<\/strong><\/p>\n\n\n\n

Skenari i filmit nd\u00ebrtohet mbi fragmente tekstesh t\u00eb ndryshme, ku nj\u00eb vend t\u00eb r\u00ebnd\u00ebsish\u00ebm z\u00eb romani \u201cParable of the Sower\u201d i Octavia E. Butler. Vepra e Butler-it, e vendosur n\u00eb nj\u00eb t\u00eb ardhme distopike, sh\u00ebrben si baz\u00eb p\u00ebr reflektimin mbi ndryshimin, besimin dhe transformimin e vazhduesh\u00ebm t\u00eb realitetit.<\/p>\n\n\n\n

\"Isaac<\/figure>\n\n\n\n

N\u00eb qend\u00ebr t\u00eb k\u00ebtij mendimi q\u00ebndron ideja se asgj\u00eb nuk \u00ebsht\u00eb statike: gjith\u00e7ka \u00ebsht\u00eb n\u00eb l\u00ebvizje dhe n\u00eb transformim t\u00eb pand\u00ebrprer\u00eb. Kjo p\u00ebrkthehet n\u00eb film si nj\u00eb poezi vizuale q\u00eb lidh filozofin\u00eb me imazhin.<\/p>\n\n\n\n

Mes ideve t\u00eb m\u00ebdha dhe rrezikut t\u00eb teprimit<\/strong><\/p>\n\n\n\n

Filmi l\u00ebviz n\u00eb nj\u00eb vij\u00eb t\u00eb holl\u00eb mes mendimit filozofik dhe teprimit estetik. Referencat e shumta \u2013 nga mitologjia te teoria ekologjike dhe literatura \u2013 krijojn\u00eb nj\u00eb p\u00ebrvoj\u00eb t\u00eb dendur intelektuale, e cila mund t\u00eb jet\u00eb sfiduese p\u00ebr shikuesin.<\/p>\n\n\n\n

N\u00eb var\u00ebsi t\u00eb kontekstit t\u00eb shfaqjes, reagimi ndaj vepr\u00ebs ndryshon: n\u00eb nj\u00eb galeri moderne ajo mund t\u00eb duket e st\u00ebrmadhe dhe intensive, nd\u00ebrsa n\u00eb hap\u00ebsir\u00ebn m\u00eb intime dhe konceptuale t\u00eb \u201cCosmic House\u201d fiton nj\u00eb harmoni m\u00eb t\u00eb natyrshme me ambientin.<\/p>\n\n\n\n

Identiteti si di\u00e7ka n\u00eb l\u00ebvizje<\/strong><\/p>\n\n\n\n

Nj\u00eb nga idet\u00eb qendrore t\u00eb filmit \u00ebsht\u00eb refuzimi i identitetit si kategori e ngurt\u00eb. Personazhet transformohen vazhdimisht \u2014 nga figura njer\u00ebzore n\u00eb forma hibride si kafsh\u00eb apo dron\u00eb \u2014 duke sugjeruar se \u00e7do form\u00eb jete dhe \u00e7do vet\u00ebdije \u00ebsht\u00eb pjes\u00eb e nj\u00eb rrjeti m\u00eb t\u00eb madh t\u00eb nd\u00ebrlidhjes.<\/p>\n\n\n\n

Ky koncept lidhet me iden\u00eb se ndarja mes \u201cne\u201d dhe \u201ctjetrit\u201d \u00ebsht\u00eb artificiale, dhe se gjith\u00e7ka n\u00eb univers \u00ebsht\u00eb e lidhur.<\/p>\n\n\n\n

Nj\u00eb mesazh ekologjik dhe filozofik<\/strong><\/p>\n\n\n\n

N\u00eb thelb, vepra ngre nj\u00eb pyetje t\u00eb thjesht\u00eb, por thelb\u00ebsore: n\u00ebse e kuptojm\u00eb se jemi t\u00eb lidhur me gjith\u00e7ka q\u00eb na rrethon, a do t\u00eb silleshim ndryshe me bot\u00ebn?<\/p>\n\n\n\n

N\u00eb k\u00ebt\u00eb kuptim, filmi i Julien-it b\u00ebhet edhe nj\u00eb reflektim mbi kriz\u00ebn ekologjike dhe nevoj\u00ebn p\u00ebr forma t\u00eb reja bashk\u00ebjetese, duke u afruar me idet\u00eb e filozof\u00ebve si Donna Haraway, e cila thekson r\u00ebnd\u00ebsin\u00eb e pranimit t\u00eb ndryshimit dhe bashk\u00ebjetes\u00ebs me pasigurin\u00eb e koh\u00ebs moderne.<\/p>\n\n\n\n

Nj\u00eb vep\u00ebr p\u00ebr bashk\u00ebkoh\u00ebsin\u00eb<\/strong><\/p>\n\n\n\n

Edhe pse i nd\u00ebrtuar mbi nj\u00eb gjuh\u00eb artistike komplekse dhe ndonj\u00ebher\u00eb t\u00eb tepruar, filmi p\u00ebrfundon me nj\u00eb mesazh t\u00eb qart\u00eb: bota po ndryshon dhe nuk ka kthim pas.<\/p>\n\n\n\n

N\u00eb k\u00ebt\u00eb realitet t\u00eb ri, theksohet nevoja p\u00ebr bashk\u00ebjetes\u00eb, mir\u00ebkuptim dhe pranimin e faktit se identitetet, kufijt\u00eb dhe m\u00ebnyrat e t\u00eb menduarit jan\u00eb n\u00eb transformim t\u00eb vazhduesh\u00ebm. \/GazetaExpress\/<\/p>\n

The post Isaac Julien: Kozmos, identitet dhe nj\u00eb film q\u00eb sfidon kufijt\u00eb e realitetit<\/a> appeared first on Gazeta Express<\/a>.<\/p><\/div>","protected":false},"excerpt":{"rendered":"

N\u00eb nj\u00eb vep\u00ebr t\u00eb re video-arti, Isaac Julien sjell nj\u00eb eksperienc\u00eb vizuale t\u00eb mbingarkuar, poetike dhe q\u00ebllimisht t\u00eb ekzagjeruar, ku […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[2],"tags":[],"class_list":["post-3670","post","type-post","status-publish","format-standard","hentry","category-lajme"],"_links":{"self":[{"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/posts\/3670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/comments?post=3670"}],"version-history":[{"count":0,"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/posts\/3670\/revisions"}],"wp:attachment":[{"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/media?parent=3670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/categories?post=3670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/infoshqip.al\/wp-json\/wp\/v2\/tags?post=3670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}